There is something about the London Coliseum that makes a big musical feel even more like an event, and Kinky Boots fits the space beautifully. Directed by Nikolai Foster, this revival proves that the show's heart hasn't aged a bit.
The story, based on the 2005 film, feels as resonant as ever. At its core, the narrative explores the unlikely partnership between Charlie Price, a man struggling to save his family's failing footwear business, and Lola, a drag performer in need of some sturdy "stilettos for a heavy fellow." It is a solid, heartwarming tale that reminds us we change the world when we change our minds.
It's an unapologetically fun night out. Cyndi Lauper's songs are as catchy as ever, and the set is wonderful; it manages to make a dusty Northampton shoe factory look both gritty and somehow grand enough to fill that massive stage.
Stepping into the iconic boots of Lola is Johannes Radebe. Known to millions for his charisma on the dance floor, Radebe's stage presence is nothing short of electric. He commands the Coliseum's vast stage with a natural, effortless glamour that makes it impossible to look anywhere else when he is in the room. While his dance ability is, predictably, world-class, there are moments where his vocals feel slightly underpowered, particularly during the more demanding, belt-heavy anthems. However, what he may occasionally lack in raw vocal volume, he more than makes up for with a performance brimming with vulnerability and wit.
On the flip side, Matt Cardle (playing Charlie Price) handles the difficult score with total ease. His acting feels a little detached at times. He's a very likeable presence on stage, but I didn't always feel the raw frustration or the high-stakes desperation that Charlie is supposed to be going through. It's a very polished performance, but one that could do with a bit more grit in the gears.
Then there is Courtney Bowman, who is, quite frankly, a total joy as Lauren. She has this knack for making every line land perfectly, and her comedic timing is just brilliant. Every time she's on stage, the energy in the room shifts up a gear.
Visually, the show is a triumph. The set by Robert Jones' design is wonderful, cleverly transforming the cavernous Coliseum stage into the clattering, brick-lined interior of Price & Son. It feels both industrial and intimate, providing the perfect playground for the high-octane choreography (by Leah Hill) of the "Angels."
Kinky Boots is vibrant, loud, and it leaves you feeling significantly better than you did when you walked in. If you're looking for a show that's high on heels and even higher on heart, this is definitely the one.
It runs until 11 July. Tickets from £15: here.
Photos: Matt Crockett