For the past 17 years, Horrible Histories has been a staple in households across the country, educating young audiences through witty writing, irresistibly catchy tunes, and wonderfully irreverent performances. This stage production successfully brings the spirit of the beloved CBBC series to life, transforming its greatest hits into a lively theatrical experience woven together with a clear and engaging narrative.
The show follows William Shakespeare, played with charm and comic precision by Richard David-Caine, as he embarks on a journey through time. Along the way, audiences encounter iconic figures including Queen Elizabeth I (Harrie Hayes), Queen Victoria (Alison Fitzjohn), and the ever-memorable Henry VIII (Ethan Lawrence), among others. Each performer brings energy and personality to their roles, ensuring that these historical legends feel vibrant and entertaining.
A standout presence throughout the show is composer Richie Webb, whose brilliantly catchy songs have become synonymous with Horrible Histories. Performing live on stage with the band, Webb proves himself not only a talented musician but also a natural comic performer, seamlessly integrating into the action and enhancing the overall experience.
While the set design is minimal, the strength of the production lies in the writing by Ben Ward and Clare Wetton, which keeps the audience consistently engaged. Clever use of video screens displaying song lyrics encourages enthusiastic audience participation. ‘I Like to Spend It' was undoubtedly the crowd favourite, generating huge excitement, while ‘Literally. The Vikings Song' proved equally popular, with many audience members still singing it during the interval.
As ever, Horrible Histories strikes the perfect balance between education and entertainment, appealing to its wonderfully diverse audience. The show leaves audiences not only humming its infectious songs but also armed with a few historical facts. It is a thoroughly memorable production, featuring strong performances across the board and particularly impressive vocals from Alison Fitzjohn.
This is history brought vividly—and hilariously—to life.
Review: Jane Wilkinson