Acting as Indhu Rubasingham’s first project as the National Theatre’s artistic director, Bacchae is an ambitious reimagining of Euripides’ classic play, written by Nima Taleghani. We follow the story of Dionysos, the god of theatre, as he schemes against his cousin, King Pentheus, with the help of his wild and devoted female followers, the Bacchae.
Designed by Robert Jones, this production is a true artistic masterpiece, featuring remarkable props and impressive effects. The costumes are edgy and almost apocalyptic, yet intermixed with moments of garish gold and glitter—especially on Dionysos himself. The staging is industrial and larger-than-life, making the audience feel as if they've entered an entirely different universe.
The women of the Bacchae are particularly impressive, with their witty one-liners and seamless choreography. Each member has a distinctive personality and plenty of running jokes are woven throughout the plot. Another standout performance is James McArdle’s portrayal of Pentheus, the King cousin of Dionysos. His performance is a perfect caricature of a far-right politician, with mannerisms and impeccable comedic timing that highlight the ridiculousness of such extremism.
The overall production is punchy and quick-witted, although some parts could be tightened up slightly. While it’s not quite a musical, it features a number of songs that, in my opinion, aren't particularly memorable. The music, composed by DJ Walde, is fun but doesn't necessarily move the plot along, which risks it feeling a bit out of place or pointless.
Bacchae is a fun and ambitious production that makes you truly appreciate the National Theatre’s ability to wow. It’s a visual spectacle with sincere and witty moments that show real potential. It’s certainly worth a watch.
Playing at The National Theatre until 1st November
Review: Bethany Chandler Photo: Marc Brenner