Marking Gary Wilmot's playwriting debut, While They Were Waiting, premieres at Upstairs at the Gatehouse with confidence and polish. This one-act, two-hander follows the characters of Bix and Mulberry, who find themselves waiting—one relishing the experience and enthusiastically insisting that waiting is, in fact, his favourite pastime. As time passes, the pair begin to develop an unexpected friendship and connection.
The show immediately makes an impression with its vibrant yellow poster, a bold colour choice that carries through into the slightly surreal set, where a large yellow door sits centre stage. The set design by Hannah Danson is simple yet delightful, thoughtfully realised and complete with ‘real' clouds that gently frame the action.
The absurdist play draws the audience in and maintains intrigue about where the story might go. From the outset there is a reassuring sense that these are seasoned professionals at work—comfortable in the material and assured in their delivery. Directed by Sydney Stevenson, the production feels polished and carefully shaped.
At the centre is the effortless charm of Gary Wilmot, demonstrating why he remains one of the country's most beloved actors. He moves with ease, warmth and natural comic timing, holding the audience comfortably in the palm of his hand. Even when some of the jokes feel predictable, his delivery ensures they land with affection rather than fatigue.
In contrast, the character of Mulberry, played by Steve Furst, is more jarring and initially harder to warm to, creating a sharper tonal contrast between the two characters. This contrast ultimately gives way to an engaging dynamic between the pair—energetic, playful and, in the end, quietly compassionate.
Overall, While They Were Waiting is a polished and cohesive production, with strong performances and storytelling that keep the audience engaged throughout.
Review: Lola Phillips Photo: Simon Jackson