Questors Youth Theatre's production of The Secret Garden, based on the novel by Frances Hodgson Burnett, assembles a highly enthusiastic cast of young actors.
Director Alex Marker creates a new adaptation of the work with his youthful cast firmly in mind. He ensures every performer has a speaking role and a clearly defined character, giving each the opportunity to develop skills and gain valuable experience in a live theatre production.
The clever decision to cast three actors as Mary works particularly well. Not only does it share the demands of such a substantial role, it adds an intriguing dynamic as the Marys interact with one another as well as with the wider cast. Eloise Pringle, Advika Nair and Annabelle Dee are well matched, each bringing her own poise, style and interpretation to the role, allowing individuality to shine through while maintaining a cohesive character.
Standout performances include Charlotte Green as the commanding Mrs Medlock; Noa Eloise Archer as Martha, who brings warmth and confidence; and Billy Adcock as gardener Ben Weatherall, who engagingly captures the character's age and distinct Yorkshire tone. Noah Christi is a likeable and quietly wise Dickon, while Orton White brings touching innocence to Colin and shares a delightful chemistry with the three Marys.
An experienced and professional creative team—many with West End credits—provides these young performers with a valuable and inspiring foundation. With the playhouse's thrust stage, the set (designed by Alex Marker) remains largely static, leaving props to do much of the storytelling work. The cast handles the transitions smoothly, moving set pieces on and off with confidence. The inventive use of multiple door frames effectively suggests the long corridors of Craven Manor. Puppets, beautifully designed by Shaan Latif, bring the story's animals to life, offering the young actors something tangible to interact with while showcasing their developing puppetry skills.
Costumes designed by Carla Marker are excellent and beautifully constructed. The matching terracotta dresses worn by the Marys are particularly effective, their colour and design standing out against the mostly black-and-white attire of the servants.
The pace slows slightly in Act Two and could be tightened, but overall the cast delivers a fresh and highly enjoyable interpretation of this much-loved story.
Before the main production begins, the audience is treated to a short devised piece by junior QYT members, in which five delightful young performers light up the stage with a physical portrayal of a girl starting a new school and navigating new friendships.
Review: Lola Phillips