Directed by Robert Hastie and starring Hiran Abeysekera, The National Theatre Live brings the grit and treachery of ‘Hamlet’ to the big screen. Playing at select cinemas, this production explores themes of grief, revenge and power in a modern-day adaptation.
Hiran Abeysekera is a famously charismatic performer, able to draw back and ‘ham it up' with perfect emotional timing. His version of Hamlet, however, does struggle at times. I think he excels in the pivotal, emotional monologues, demonstrating just how plagued and conflicted the character of Hamlet is. There are moments, though, that feel overtly nonchalant with certain big scenes just falling a bit flat. It leaves his character hard to sympathise with, feeling disingenuous from the start.
The set design (Ben Stones) is impressive, grandiose and over the top, a perfect juxtaposition to the grief and trauma of Hamlet. Featuring large, towering ballrooms, fresco artwork and the classically Shakespearean ‘theatre within a theatre’. It translates well over screen, still managing to feel larger than life whilst also sharing the National Theatre’s atmosphere for those watching at home.
I think a huge, defining aspect of the story of Hamlet is the fantastical element of the ghost and the eerie way in which he controls and plays with the narrative. Sadly, I think this production underestimates the importance of emphasising that eeriness. The ghost arrives much like any other character, with an almost comical reaction from those who witness him. He even sits down at the table to speak with Hamlet, discussing his own murder like one would sit down over lunch. It doesn’t shock or scare in the way that I think is required and, unfortunately, dampens the ghostly scenes into something camp and pantomime-esque.
Ophelia, played by Francesca Mills, is a definite standout. She’s cheeky and dynamic yet still touching and emotionally poignant; Mills perfectly portrays the complicated layers to the character of Ophelia. Her charm and characterisation both make you laugh and break your heart as she descends into madness.
Overall, I think this version is ambitious at points, yet flat in others. Hamlet has been performed countless times in varying iterations. Naturally, expectations are high to see how The National Theatre will play with such a famous text. Unfortunately, this particular production doesn’t feel ‘big’ enough. It’s a fairly textbook portrayal of Hamlet, and it does the job, but ultimately, it does play it safe.
In select cinemas from 22nd January
Review: Bethany Chandler Photos: Sam Taylor