New research, published by London Theatre Direct, reveals a rising trend: younger adults are turning to live theatre to escape screens, using it as a powerful tool for emotional reset and self-care.
The findings are based on responses from more than 4,350 people, combining input from regular theatregoers (via London Theatre Direct's internal study) and a nationally representative YouGov poll carried out in partnership with emotional connection experts and creators of 'Joyfulness Approved', the feel-good seal of approval.
Among 25–39-year-old regular attendees, more than three in four (76%) described theatre as their way of disconnecting from digital life. Over half said they felt significantly more mentally refreshed after a show than after screen-based entertainment.
Three in four regular theatre-goers also said theatre is part of their self-care routine, compared with just under half (46%) of the UK public.

Two in five said the positive feeling outlasted the performance itself by several days. Three-quarters of regular attendees said a show had sparked meaningful conversations, and nearly half of 18–24s said theatre had prompted personal reflection or inspired action in their lives.
“These findings confirm what we hear anecdotally every day - that theatre gives people more than entertainment,” said Johan Oosterveld, CEO at London Theatre Direct. “It offers a space to switch off, reset emotionally, and come away feeling clearer and more connected to yourself.”
The data also challenges the cliché that theatre is niche. One in four UK adults included theatre among their top three joyful nights out, ranking it above more mainstream activities such as cinema, dancing, sport and hobbies.
“We hear time and again how theatre brings people joy, and now we've seen that connection in the data,” said Donna Easton, Joyologist and Co-Founder of Joyfulness Approved. “It's been powerful to measure that emotional response more concretely.”
Nick Ede, Brand and Culture Expert and co-founder of Joyfulness Approved, added: “We live in a world that's oversaturated with digital noise, and theatre cuts through all that. It's one of the few places where people are fully present, no phones, no distractions, just pure human connection”.
Audiences outside London were even more likely than Londoners to describe theatre as joyful and emotionally resonant, a clear sign that demand for live performance runs deep across the country, and that the need for accessible theatre is national, not just metropolitan.
