"Moderation" at The Hope Theatre, written by Kevin Kautzman and directed by Lydia Parker, attempts to plunge us into the harrowing world of online content moderation. However, the production ultimately stumbles under the weight of its own ambition. While the premise, a darkly satirical exploration of digital dystopia, holds undeniable potential, the execution proves less compelling.
The play becomes bogged down by a heavy, verbose script that prioritizes exposition over genuine character development. Because of this, Robbie Curran and Alice Victoria Winslow, who play two social media content moderators, struggle to inject vitality into roles that remain stubbornly two-dimensional. The dialogue, rich with philosophical musings and conspiracy theories, feels forced and unnatural, hindering any sense of authentic connection with the audience.
The supposed central theme, the psychological toll of moderating horrific online content, is overshadowed by the increasingly twisted dynamic between the two characters. What begins as a commentary on the dehumanizing nature of the work devolves into a repetitive cycle of power plays and cryptic exchanges. Furthermore, the mysterious, faceless corporation that employs these individuals remains frustratingly opaque, leaving the audience with more questions than answers.
Despite the play's attempt to draw parallels to "Black Mirror" and Pinter, it lacks the sharp social commentary and unsettling atmosphere that define those works. Instead, "Moderation" feels like a missed opportunity, a play that sacrifices emotional resonance for intellectual posturing.
It runs at the Hope Theatre until 5 April.
Photo: Suzette Coon