John Webster's The Duchess of Malfi the timeless tragedy starring Jodie Whittaker in the titular role, is a visually striking but less emotionally resonant rendition of the classic play.
The play follows the tragic tale of the Duchess of Malfi, a widow who defies societal expectations by marrying her steward, Antonio (Joel Fry). Her brothers, Ferdinand (Rory Fleck Byrne) and the Cardinal (Paul Ready) are enraged by her disobedience and embark on a relentless pursuit to punish her. The ensuing power struggle is filled with deceit, manipulation, violence and a shocking ending.
Whittaker delivers a captivating performance as the Duchess in this adaptation by Zinnie Harris. Her portrayal is both delicate and powerful, capturing the character's vulnerability and resilience.
The production's design elements are visually stunning. Tom Piper's set is a stark and minimalist backdrop that allows the actors to take centre stage. Ben Ormerod's lighting design creates a haunting and atmospheric atmosphere.
While the production is visually impressive and features strong performances, there are a few areas where it could be improved. Some scenes feel a bit chaotic and loud. Additionally, the songs seem out of place and don't fully integrate into the narrative.
Despite these minor flaws, The Duchess of Malfi is a compelling and thought-provoking production. Whittaker's performance is a highlight, and the play's exploration of power, love, and madness remains as relevant today as it was in the 17th century.
It runs until 20 December. Tickets: here.
Photos: Marc Brenner