Nicholas Hytner's revival of Guys and Dolls at the Bridge Theatre is a masterclass in immersive storytelling. This innovative production transports audiences to the bustling streets of 1920s New York, immersing them in the world of gamblers, missionaries, and showgirls.

The show's immersive staging is a standout feature. The stage rises and falls around the audience, drawing them into the action and creating a sense of intimacy. This innovative approach enhances the storytelling, making the audience feel like they are part of the world of Guys and Dolls.

The cast delivers outstanding performances. Owain Arthur shines as Nathan Detroit, the troubled gambler. George Ioannides is captivating and charismatic as Sky Masterson, the high-rolling gambler with a heart of gold. Gina Beck is mesmerizing as Sarah Brown, the dedicated missionary. Her voice is just incredible. And Timmika Ramsay delivers a powerful performance as Miss Adelaide, Nathan's long-suffering fiancée.

The musical numbers are performed with passion and energy, showcasing the talents of the cast and the ensemble. Frank Loesser's iconic songs, including "Luck Be a Lady" and "Adelaide's Lament," are given new life in this production.

The Bridge Theatre's Guys and Dolls is a must-see for fans of musical theatre and anyone looking for a unique and immersive theatrical experience. It's a testament to the power of innovative staging and exceptional performances.

Beyond the performances, the production's technical elements are equally impressive. The set design (Bunny Christie), lighting (Paule Constable), and sound design (Paul Arditti) all contribute to the immersive experience. The stage rises and falls, creating a dynamic and ever-changing environment. The lighting design is atmospheric, setting the mood for each scene. And the sound design is immersive, bringing the world of Guys and Dolls to life.

The Bridge Theatre's revival of Guys and Dolls is a triumph. It's a must-see for fans of musical theatre and anyone looking for a unique and unforgettable theatrical experience.

 

It runs until 4 January (final extension). Tickets: here.

 

Photo: Manuel Harlan